Der Dark Temptation von Public Coffee Roasters ist ein für roastmarket exklusiver Espresso-Blend, zusammengesetzt aus 70 Prozent Arabica- und 30 Prozent Robustabohnen der Sorten Catuai, Caturra und Robusta. Die Plantagen stehen in Honduras, Brasilien und Indien. Der Espresso ist sehr intensiv und kräftig. Er enthält dabei wenig Säure. Aromen von dunkler Schokolade, Nougat und Marzipan sind dominant. Die Bohnen werden gewaschen und dann traditionell dunkel geröstet. Auf frische, schonende und individuelle Röstung wird hohen Wert gelegt. Diese Sorte eignet sich zur Zubereitung im Vollautomaten, Siebträgermaschine oder Herdkocher, als Espresso, Americano oder Milchgetränk. Hergestellt wird der Kaffee in Deutschland. Public Coffee Roasters sucht stets nach besonderen und charakterstarken Kaffees. Sie beziehen die Bohnen über diverse Kleinimporteure, welche wiederum in direktem Kontakt zu kleinen Farmen in den Ursprungsländern stehen. Ziel des Unternehmens ist es, in direktem Handel mit den Farmen zu arbeiten und direkt zu importieren.
Erscheinungsdatum: 14.11.2011, Medium: Taschenbuch, Einband: Kartoniert / Broschiert, Titel: Yesterday's Plague, Tomorrow's Pandemic?, Titelzusatz: A History of Disease Throughout the Ages, Autor: Dart, R. Kinsey, Verlag: AuthorHouse UK, Sprache: Englisch, Schlagworte: MEDICAL // Public Health, Rubrik: Medizin // Allgemeines, Lexika, Seiten: 748, Informationen: Paperback, Gewicht: 788 gr, Verkäufer: averdo
Dublin 1 : 12 000 ab 8.9 € als Blätter und Karten: Dublin East Coast Phoenix Park Public Transport (DART & LUAS) Time Zone BerndtsonCITYSTREETS. Version 12.0. Aus dem Bereich: Bücher, Reise, Karten & Pläne, Europa,
Janey doesn't really want to go on the blind date her friend arranged for her, but Mitch seems like a nice enough guy, and he takes her to an authentic British pub. Evidently, they know him there. She figures it out when he takes her to a booth, pulls off all her clothes, and proceeds to fuck her like she's never been fucked before. Nobody in the pub seems surprised at all! It's not just blind date sex, it's sex in public, and before the night is through, Janey will have her first anal sex experience and discover what it means to be noticed. Warning: This audiobook contains very explicit descriptions of blind date sex in public. It includes rough sex, anal sex, oral sex, and forced semen swallowing. It is intended for mature readers who will not be offended by graphic depictions of sex acts between consenting adults. Here is a previewShe took his hand and stood with him and let him guide her into a room in the back. When they walked in, there were only a few other people in the room, which seemed dominated by a row of dart boards at the back. But it wasn't the dart boards they headed for. Instead, he guided her to a booth along the far wall where he pushed her back against the table and began kissing her hard, thrusting his tongue into her mouth like a cock, pushing in over her tongue and exploring.The shock of his sudden move made Janey gasp and her mind couldn't even formulate any response, but her body reacted instantly, warmth flowing from between her legs up her body all the way to her neck and cheeks. When he finally broke away, he lifted her onto the table and grabbed at her shirt, pulling it up over her head and tossing it to the floor behind him before returning to her and kissing her hard again.His hands quickly worked at her bra as he kissed her and soon it snapped free and her breasts fell, exposed for anyone to see. His mouth moved down and he pulled a nipple into his mouth for a hard suck before returning to her mouth. H 1. Language: English. Narrator: Sapphire Rose. Audio sample: http://samples.audible.de/bk/acx0/008361/bk_acx0_008361_sample.mp3. Digital audiobook in aax.
High Quality Content by WIKIPEDIA articles! Will Barnet (born May 25, 1911) is an American artist known for his paintings, watercolors, drawings, and prints depicting the human figure and animals, both in casual scenes of daily life and in transcendent dreamlike worlds.Born in 1911 in Beverly, Massachusetts, Barnet knew by the age of ten that he wanted to be an artist. As a student he studied with Philip Leslie Hale at the School of the Museum of Fine Arts, Boston and viewed first-hand John Singer Sargent at work on the murals of the Boston Public Library. In 1930 Barnet studied at the Art Students League of New York, with Stuart Davis, beginning his long association with the school. Here he concentrated on painting as well as printmaking, and in 1936 he became the official printer for the Art Students League. There, he later instructed students in the graphic arts at the school and taught alongside the likes of Yasuo Kuniyoshi, Robert Beverly Hale and Richard Pousette-Dart.
Eric Bristow MBE (1957-2018) might just have been the greatest darts player of all time. An unmistakable figure on the oche during his 1980s heyday, 'the Cheeky Cockney' became renowned not just for the number of world titles he won but for his arrogance on stage and off it. In this candid account, Bristow reveals how darts saved him from his early life as a cat burglar, shoplifter and thug - and introduced him to a new world of beer, babes and success beyond his wildest dreams. In his rapid rise to the top, he gives fascinating insights into the characters that pioneered darts in those early days and how, when his own career began to slide at the end of the decade, he trained his protege Phil 'The Power' Taylor, turning him into the most successful player darts has ever known. Bristow holds nothing back as he reveals his battle with dartitis, a psychological condition which left him unable to let go of the dart and almost destroyed his career; his relationship with girlfriend and former women's world darts champion Maureen Flowers; and his occasional all-too-public falls from grace. Bristow's life story is a thrill-a-minute ride through the raucous world of darts and how it helped to shape and drive his life.
Was there a person by the name of Jesus who lived in Palestine in the first century A.D.? Do the gospels and the letters of the New Testament really attest to the actual existence of a Messiah, or were these documents written by clever propagandists for the faith rather than by objective historians? These and other intriguing questions are explored in Jesus in History and Myth, which emerged from a powerful symposium held in 1985 under the auspices of the Biblical Criticism Research Project of the Committee for the Scientific Examination of Religion (CSER). The Project team, incorporating the work of biblical scholars, historians, archaeologists, and experts in the cognate fields of religious studies, is designed to make available to a wider public the results of the very best biblical criticism and religious studies scholarship. At this critical time, when the study of religion as an academic discipline is threatened by the twin dangers of parochialism and trendiness, the need for a serious and dispassionate review of religious truth-claims, scriptural traditions, and supernatural value systems is greater than ever before. Jesus in History and Myth combines the works of a distinguished list of researchers: John M. Allegro, Robert S. Alley, John Dart, Antony Flew, David Noel Freedman, Tikva Frymer-Kensky, Robert M. Grant, Rowan A. Greer, Van A. Harvey, Randel Helms, John Hick, R. Joseph Hoffmann, Gerald A. Larue, George E. Mendenhall, Ellis Rivkin, Morton Smith, and G.A. Wells. Their views are daring, thought-provoking, and always on the cutting edge of critical investigation of the Bible and religion.
Lifestyles today are often defined by hectic schedules, and more and more people want a special room in their own home where they can relax and enjoy their leisure time. And with the sophisticated technology and wide range of products -- inlcuding plasma TVs, home theater, game stations, and surround sound -- now available to the general public, any room can be transformed into an incredibly fun and engaging space. Rooms for Fun contains everything consumers need to know to renovate or convert unused space -- whether it's the garage, the basement, or an extra bedroom -- into a room devoted to enjoyment and tailored to their individual tastes and interests. Full-color photographs will inspire, detailed layouts will aid in construction and decoration, and an extensive resource section will help locate manufacturers. The fun rooms featured in the book include: Home Theater: audio visual equipment, including the latest information on plasma screen TVs, DVD players, and other electronic devices; speakers and the different ways of installing them; seating options; and soundproofing. Entertainment Center: billiard tables, ping pong tables, dart boards, game stations, fun accessories, decor, a home bar, and more. Sports & Fitness Room: gym equipment, small indoor pools, and even basketball courts. Home Studio: the ideal set-ups for painting, drawing, sculpting, ceramics, writing, and astronomy. Music Room: sound systems, CD storage, and more. Also included is a resource section for more information on the included designs.
This is a reprint of the immensely successful Early Color (2008), which presented Leiter&#8217;s remarkable body of colour work to the public for the first time in book form. Although Edward Steichen had exhibited some of Leiter&#8217;s colour photography at the Museum of Modern Art in 1953, it remained virtually unknown to the world thereafter. Leiter moved to New York in 1946 to become a painter, yet through his friendship with Richard Pousette-Dart he quickly recognized the creative potential of photography. Leiter continued to paint, exhibiting with Philip Guston and Willem de Kooning, but the camera remained his ever-present means of recording life in the metropolis. None of Leiter&#8217;s contemporaries, with the partial exception of Helen Levitt, assembled a comparable body of work: subtle, often abstract compositions of lyrical, eloquent colour.
In developing this third revision of version 4.0 of the Field Operations Guide for Disaster Assessment and Response, the Office of U.S. Foreign Disaster Assistance (OFDA) of the United States Agency of International Development (USAID) has drawn on the expertise of numerous state, national, and international agencies and organizations. Selected sources of information include the United Nations High Commissioner for Refugees&#8217; Handbook for Emergencies, the United Nations Office for the Coordination of Humanitarian Affairs&#8217; United Nations Disaster Assessment and Coordination Field Handbook, and the U.S. Public Health Service&#8217;s Handbook of Environmental Health, among others. The Field Operations Guide for Disaster Assessment and Response has been created as a reference tool for individuals sent to disaster sites to undertake initial assessments or to participate as members of a Disaster Assistance Response Team (DART). It contains information on general responsibilities for disaster responders, formats and reference material for assessing and reporting on populations at risk, DART position descriptions and duty checklists, descriptions of OFDA stockpile commodities, information for working with military in the field, and much more. Its myriad resources, extensive information, and handy compact format make this field guide a necessary companion for those participating in a variety of disaster assessment and response field operations.